https://devlaravel.imosver.com/en/libros/nacido-para-el-miedo-ALO0098274ALO0098274Nacido para el miedo22.8Podemos afirmar sin temor a equivocarnos que, a día de hoy, Thomas Ligotti, nacido en Detroit en 1953, se ha convertido en el maestro de la literatura extraña y de horror de nuestro tiempo, a pesar dehttps://static.arnoia.com/imagenes_small/9788477/978847702961.jpgLibrosLibros/METODO IDIOMAS, FILOLOGIA Y LINGÜÍSTICASin stockVALDEMAR000https://static.arnoia.com/imagenes_small/9788477/978847702961.jpgCIM0009761MAC0002237PUN00014032451.22024/11/139788477029618Ligotti, ThomasLibrosaño_2024idioma_SpanishCformato_Tapa blanda o Bolsilloautor_Ligotti, Thomassaga_Intempestivas
Artículo
Nacido para el miedo
Ligotti Thomas
VALDEMAR
METODO IDIOMAS, FILOLOGIA
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Podemos afirmar sin temor a equivocarnos que, a día de hoy, Thomas Ligotti, nacido en Detroit en 1953, se ha convertido en el maestro de la literatura extraña y de horror de nuestro tiempo, a pesar de su escasa obra. Su pensamiento nihilista radical, puesto de manifiesto en el ensayo La conspiración contra la especie humana –en esta colección–, aporta un tono más genuino y persuasivo a sus perturbadoras pesadillas literarias. Como ocurre con la obra de sus autores favoritos, Poe, Lovecraft, Kafka o Bruno Schulz, la ficción de Ligotti se funde de forma indisoluble con su visión de la existencia. El lector de este volumen de entrevistas encontrará no solo detalles significativos de la poco conocida biografía de Ligotti, sino todo un tratado sobre el género del horror, sus maestros, su futuro, la inspiración de sus relatos... «Descubrí que el universo sin sentido y amenazador descrito en los relatos de Lovecraft se correspondía íntimamente con el lugar en el que yo vivía por aquella época, y en el que he vivido desde entonces [...] Unos años más tarde, cuando me interesé por escribir ficción, nunca dudé de que no escribiría otra cosa que relatos de horror», comenta Ligotti sobre sus comienzos. «Los relatos de Poe no representan el llamado mundo real [...] sino que tienen lugar en un mundo cerrado y anormal. Este aislamiento es quizás el secreto de la atmósfera en las obras de horror [...] cuando sueñas, sientes que no existe nada fuera de tu entorno más cercano», explica. «Nací para el miedo. Tan sencillo como eso. Como escribe el narrador de mi novela corta Mi trabajo todavía no está acabado: “Siempre he tenido miedo”. Si alguna vez escribiera una autobiografía, la comenzaría con la misma frase», concluye.