https://devlaravel.imosver.com/en/libros/monster-show-30900700003090070000Monster Show20.9Historiador del cine, guionista y productorde documentales norteamericano, David J. Skalcomenzó a destacar como crítico de cine en el OhioUniversity Post, cuando aún era estudiante.A los treinta años https://static.arnoia.com/imagenes_small/9788477/978847702593.jpgLibrosLibros/LITERATURA CLASICASin stockVALDEMAR000https://static.arnoia.com/imagenes_small/9788477/978847702593.jpgMAC0008769MAC0004927MAC0002047ALO00608712251.12009/07/219788477025931Skal, David J.Librosaño_2009idioma_SpanishCformato_Tapa blanda o Bolsilloautor_Skal, David J.saga_INTEMPESTIVAS
Artículo
Monster Show
Skal David J.
VALDEMAR
VALDEMAR (ENOKIA, S.L.).
LITERATURA CLASICA
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Historiador del cine, guionista y productorde documentales norteamericano, David J. Skalcomenzó a destacar como crítico de cine en el OhioUniversity Post, cuando aún era estudiante.A los treinta años funda su propia empresa,cuyo objetivo es asesorar a todo tipo de compañíasde teatro, danza y música. Skal es autor de tres novelasde ciencia-ficción, pero fue su fascinaciónpor el personaje de Drácula y su dedicación al mundodel teatro lo que le llevó a escribir su primer ensayo, Hollywood Gothic (1990), que rastrea la evolución del mitodesde su creación por Bram Stoker hasta su llegada al cine.Otras obras destacadas de Skal son V is for Vampire (1995),Dark Carnival: The secret world of Tod Browning (1995)y Scream of Reason: Mad Science and Modern Culture (1997).Monster Show (1993) es la historia, llena de jugosas anécdotas,del género de terror a lo largo del siglo XX, de su influencia a través de medios de expresión, que van desde la pintura y la fotografíaal teatro, la televisión o la literatura, pero, sobre todo,de su gran divulgación a través del cine. El lúcido análisis históricode esta obra plantea la hipótesis de que la ficción de terrorha cumplido siempre la función de recrear, como una inconscientemetáfora, los principales traumas y obsesiones sociales.Así, según Skal, la evolución del género de terror corre paralelaa los miedos colectivos en cada momento: la Primera Guerra Mundialy el morbo por los freaks (Tod Browning y Lon Chaney),la Gran Depresión y el éxito de películas como Frankensteiny El doctor Jekill y Mr. Hyde, la Segunda Guerra Mundialy el florecimiento del género de hombres lobo,la Guerra Fría y la obsesión por las invasiones extraterrestres,y, más recientemente, la relación entre el Siday la renovada fascinación por los vampiros.