https://devlaravel.imosver.com/en/libros/leo-mccarey-CIM0009766CIM0009766Leo McCarey23.75Ensayo fundamental de la literatura cinéfila española, en el Leo McCarey de Miguel Marías sigue brillando, inalterable al paso del tiempo, la incisiva y cultivada pluma de uno de nuestros mejores críthttps://static.arnoia.com/imagenes_small/9788419/978841987410.jpgLibrosLibros/CINE, RADIO Y TELEVISIONEn stockATHENAICA EDITORIAL000https://static.arnoia.com/imagenes_small/9788419/978841987410.jpgMAC00106272551.252023/11/019788419874108Marías Franco, MiguelLibrosaño_2023idioma_SpanishCformato_Tapa blanda o Bolsilloautor_Marías Franco, Miguelsaga_Cine
Artículo
Leo McCarey
Marías Franco Miguel
ATHENAICA EDITORIAL
978-84-19874
CINE, RADIO Y TELEVISION
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Ensayo fundamental de la literatura cinéfila española, en el Leo McCarey de Miguel Marías sigue brillando, inalterable al paso del tiempo, la incisiva y cultivada pluma de uno de nuestros mejores críticos y uno de los principales expertos mundiales en su obra. A partir de una familiaridad desa¡costumbrada con la filmografía del director de películas legendarias como The Awful Truth, Make Way for Tomorrow o An Affair to Remember, y de una férrea voluntad por ¡desbrozar de tópicos y malentendidos a la débil historiografía del cine (que seguía y sigue considerando un simple panfleto anticomunista una película tan sutil y compleja, si bien frágil y de fortuna esquiva, como My Son John, a la que el libro dedica un justamente famoso análisis), ¡Marías entra de lleno en los entresijos creativos de McCarey, ofreciendo al lector, muy lejos de la jerga especializada, un emocionante ensayo que amplía las consideraciones estéticas y éticas del clasicismo cinematográfico y contextualiza a uno de los grandes creadores nacidos y formados en el cine mudo. De modo ejemplar y clarificador, más allá de su objeto de estudio, esta profunda cata en el legado de ¡McCarey prescinde de herramientas metodológicas y quincalla narratológica (incluso de la todopoderosa «puesta en escena») a la hora de comprender el arte de un cineasta que confió más en los actores y en los instantes que en los temas, las secuencias y los planos.