https://devlaravel.imosver.com/en/libros/las-cuatro-estaciones-00100205930010020593Las cuatro estaciones18.53Aparecido en 1977, después de ser rechazado por la censura debido a sus «tendencias antisociales», Las cuatro estaciones fue el primer libro de relatos de la prestigiosa autora rumana Ana Blandiana, dhttps://static.arnoia.com/imagenes_small/9788492/978849286535.jpgLibrosLibros/NOVELAEn stockPERIFERICA EDITORIAL000https://static.arnoia.com/imagenes_small/9788492/978849286535.jpgCIM007460900105483560010548357I-0522762419.550.972011/06/159788492865352Blandiana, AnaLibrosaño_2011idioma_SpanishCformato_Tapa blanda o Bolsilloautor_Blandiana, Anasaga_LARGO RECORRIDO
Artículo
Las cuatro estaciones
Blandiana Ana
PERIFERICA EDITORIAL
NOVELA
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Aparecido en 1977, después de ser rechazado por la censura debido a sus «tendencias antisociales», Las cuatro estaciones fue el primer libro de relatos de la prestigiosa autora rumana Ana Blandiana, de quien ya publicamos en Periférica el también extraordinario Proyectos de pasado. Como éste, Las cuatro estaciones se inscribe en la nutrida tradición fantástica de la literatura de su país, a la vez que dialoga con otras tradiciones, de Poe a Kafka. Blandiana se sirve de lo fantástico para denunciar, de manera encubierta, la dimensión grotesca de la existencia en un estado totalitario; es decir, estos cuatro relatos pertenecen tanto a la literatura fantástica como a la literatura de testimonio: la narrativa de Blandiana combina el tono confesional de un diario realista con las incursiones de una imaginación visionaria. Si la parábola de «La capilla con mariposas» denuncia los efectos de una fascinación utópica que falsifica los valores espirituales, «Queridos espantapájaros» es una inocente súplica que incita a la insurrección de la conciencia, dirigida a todos aquellos que están al servicio de las fuerzas dictatoriales. A su vez, «La ciudad derretida» refleja la visión apocalíptica de un mundo ardiente y «Recuerdos de infancia», por último, dibuja la crónica sutil de una época: la quema de libros emprendida por el padre de la narradora evoca la represión comunista durante los años cincuenta.