https://devlaravel.imosver.com/en/libros/la-metamorfosis-CIM0079424CIM0079424LA METAMORFOSIS7.6Los tres relatos contenidos en el presente volumen sirven de manera ejemplar para adentrarse en las notas peculiares del mundo kafkiano: La metamorfosis, La condena y La muralla china, que condensan ehttps://static.arnoia.com/imagenes_small/9788441/978844144492.jpgLibrosLibros/FICCIONEn stockEDAF EDITORIAL000https://static.arnoia.com/imagenes_small/9788441/978844144492.jpg001037206100103221000010245074850.42026/03/019788441444928KAFKA, FRANKLibrosaño_2026idioma_SpanishCautor_KAFKA, FRANKsaga_BIBLIOTECA EDAF
Artículo
LA METAMORFOSIS
KAFKA FRANK
EDAF EDITORIAL
FICCION
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Los tres relatos contenidos en el presente volumen sirven de manera ejemplar para adentrarse en las notas peculiares del mundo kafkiano: La metamorfosis, La condena y La muralla china, que condensan en breves páginas lo mismo que otros proyectos más ambiciosos, pero de igual base, como El proceso o El castillo. La metamorfosis se abre con estas palabras, escritas como al descuido por lo grave de la revelación: Cuando una mañana se despertó, Gregorio Samsa, después de un sueño agitado, se encontró en su cama transformado en un espantoso insecto. Es uno de los relatos en los que con mayor nitidez aparece lo kafkiano. La condena es un relato breve pero intenso, donde el complejo de culpa se despliega en trágica concreción, y constituyó para el autor el primer éxito personal antes las cuartillas en blanco, como él mismo diría as sus amigos: Tenía lágrimas en los ojos. El carácter indudable de la historia se confirmaba. La muralla china deja en el lector la angustia de la impotencia del ser ante el Tiempo, el Destino, la Muerte Unas historias en las que lector encontrará los rasgos que definen la vida y la obra del autor; cada uno de los fantasmas, las obsesiones y las realidades que tuvo Kafka al escribir, y los grandes desvelos que marcaron su día a día personal como la vana obsesión de durar o de sobrevivir.