https://devlaravel.imosver.com/en/libros/historia-de-la-musica-espanola-4-siglo-xviii-02702100300270210030Historia de la música española. 4. Siglo XVIII31.83Esta HISTORIA DE LA MUSICA ESPAÑOLA es una notable aportación al conocimiento de nuestro rico pero poco conocido patrimonio musical. Cada uno de los siete volúmenes que componen este ambicioso proyecthttps://static.arnoia.com/imagenes_small/9788420/978842066476.jpgLibrosLibros/MUSICASin stockALIANZA000https://static.arnoia.com/imagenes_small/9788420/978842066476.jpg0270210002RAM002321733.551.672008/01/099788420664767Martín Moreno, AntonioLibrosaño_2008idioma_SpanishCformato_Tapa blanda o Bolsilloautor_Martín Moreno, Antoniosaga_MUSICA
Artículo
Historia de la música esp
Martín Moreno Antonio
ALIANZA
MUSICA
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Synopsis Historia de la música española. 4. Siglo XVIII
Esta HISTORIA DE LA MUSICA ESPAÑOLA es una notable aportación al conocimiento de nuestro rico pero poco conocido patrimonio musical. Cada uno de los siete volúmenes que componen este ambicioso proyecto, dirigido al gran público y a la generalidad de los profesionales de la música, ha sido encomendado a un destacado especialista en el período correspondiente. El propósito de los autores ha sido ofrecer al lector, en un lenguaje claro, con rigor conceptual y documentación básica, las claves fundamentales que le permitan recorrer los caminos por los que ha discurrido la música española a lo largo del tiempo: los fenómenos más destacados de este proceso, los músicos que la han ilustrado con sus composiciones y los tratadistas que se han ocupado de ella.Este volumen, cuarto de la HISTORIA DE LA MUSICA ESPAÑOLA, dedicado al SIGLO XVIII, ha sido concebido con el doble propósito de ofrecer al aficionado un detallado panorama y de facilitar al experto un manual auxiliar para la investigación. ANTONIO MARTIN MORENO se ha basado en los dos grandes bloques tradicionales de «Música de la Iglesia» y de «Música Profana», complementados con un tercer apartado consagrado a la «Teoría Musical», para ordenar y estructurar la obra. El denominador común de la historia dieciochesca, encrucijada de tres estilos (Iglesia, Cámara y Teatro) y de dos prácticas (contrapunto y armonía), es su función social, que explica en buena medida su rica diversidad como consecuencia de las diferencias de gustos y preferencias de los mecenas y patrones de los creadores musicales.