https://devlaravel.imosver.com/en/libros/galeria-de-hiperbreves-63100200556310020055Galería de hiperbreves9.98Vuelven los relatos hiperbreves. De hecho nunca se fueron, tal vez porque el tiempo y el nuevo milenio parecen jugar a su favor y el género de los microrrelatos ha conocido un auge espectacular, que yhttps://static.arnoia.com/imagenes_small/9788483/978848310191.jpgLibrosLibros/LITERATURA CLASICASin stockTUSQUETS000https://static.arnoia.com/imagenes_small/9788483/978848310191.jpg10.550.529788483101919Círculo Cultural Faroni,Librosidioma_SpanishCformato_Tapa blanda o Bolsilloautor_Círculo Cultural Faroni,saga_ANDANZAS
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Galería de hiperbreves
Círculo Cultural Faroni
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LITERATURA CLASICA
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Vuelven los relatos hiperbreves. De hecho nunca se fueron, tal vez porque el tiempo y el nuevo milenio parecen jugar a su favor y el género de los microrrelatos ha conocido un auge espectacular, que ya presagió el éxito del volumen Quince líneas (Andanzas 288) en 1996. Y no dudamos de que el Premio Internacional de Relato Hiperbreve promovido por el Círculo Cultural Faroni tiene buena parte de responsabilidad en el renacer y la promoción del género. Con motivo precisamente de su décimo aniversario el día 28 de diciembre, presentamos esta segunda recopilación con los textos ganadores y finalistas de las últimas cinco convocatorias (1996-2000). En estos setenta relatos mínimos, que no sobrepasan las quince líneas, se parte del ingenio de una situación o un motivo, que pueden ser conocidos pero de los que se ofrece una lectura inédita, y se llega, a veces, a pequeñas novelas en cápsulas, o en ciernes, con todas las posibilidades interpretativas. El lector descubrirá que en todos ellos predomina el arte de decir más con menos, el de intuir con un motivo, un episodio único, otra lectura del mundo. Esta Galería de hiperbreves es también una galería de tonos que indican diferentes acercamientos, herederos directos de los géneros orales tradicionales: adivinanzas, fábulas, apólogos..., o descendientes de formas de larga tradición literaria: greguerías, poemas en prosa, historias que reescriben o continúan otras ya conocidas. Pero todos ponen convenientemente en solfa esa tradición o proporcionan un esperado efecto sorpresa, brillante e insólito, que, como comprobará el lector, se duplica en la distancia corta.