https://devlaravel.imosver.com/en/libros/el-tercer-sacramento-CIM0039592CIM0039592El tercer sacramento15.2Ana Blandiana (Timișoara, Rumanía, 1942), poeta, prosista y ensayista de excepción, es una figura legendaria de la literatura rumana y una de las voces femeninas más influyentes de la literatuhttps://static.arnoia.com/imagenes_small/9788498/978849895595.jpgLibrosLibros/POESIAEn stockVISOR EDITORIAL000https://static.arnoia.com/imagenes_small/9788498/978849895595.jpgCIM007460900105483560010548357I-052276241650.82024/10/019788498955958Blandiana, AnaLibrosaño_2024idioma_SpanishCformato_Tapa blanda o Bolsilloautor_Blandiana, Anasaga_Visor de Poesía
Artículo
El tercer sacramento
Blandiana Ana
VISOR EDITORIAL
POESIA
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Ana Blandiana (Timișoara, Rumanía, 1942), poeta, prosista y ensayista de excepción, es una figura legendaria de la literatura rumana y una de las voces femeninas más influyentes de la literatura contemporánea, representante de los valores humanísticos y militante de la justicia social. Entre otros premios, en 2024 le fue concedido el Premio Princesa de Asturias de las Letras. El tercer sacramento (1969) es un libro de poemas basado en la idea de la transubstanciación, de la identificación del yo con el universo. Son versos propios de la madurez, que profundizan en lo metafísico. Contienen todos los elementos de su creación posterior en la que las palabras casi alcanzan la transparencia. Es la escritura de una conciencia que, en pleno ejercicio de lucidez y exigencia moral, asume su propio destino. Un libro embargado por la melancolía en el que abundan las preguntas sobre la identidad del ser humano, de sus orígenes, su destino, las leyes de la existencia, y de cómo reconciliar la realidad con el deseo de pureza y de transfiguración. Blandiana continúa aquí con la misma inquietud por los temas morales de sus primeros volúmenes, y mantiene la misma predisposición para confrontar el mundo desde una perspectiva ética al tiempo que profundiza en la dimensión metafísica de la existencia. Pero ahora, en esta búsqueda de pureza moral, la poeta descubre la traición de las palabras. El lirismo del frenesí vitalista y la adhesión al ideal ético ceden ante la angustia y la incertidumbre.