https://devlaravel.imosver.com/en/libros/cauterio-PUN0007104PUN0007104Cauterio17.96Una novela redonda sobre la huida del dolor como forma de supervivencia y la rebelión ante los roles de género contemporáneos. Es el verano de 2014. Una mujer joven que acaba de ser abandonada por su https://static.arnoia.com/imagenes_small/9788433/978843399946.jpgLibrosLibros/FICCIONEn stockANAGRAMA000https://static.arnoia.com/imagenes_small/9788433/978843399946.jpg00103904880010264220MAC000146218.950.942022/03/019788433999467Lijtmaer, LucíaLibrosaño_2022idioma_SpanishCformato_Tapa blanda o Bolsilloautor_Lijtmaer, Lucíasaga_Narrativas hispánicas
Artículo
Cauterio
Lijtmaer Lucía
ANAGRAMA
FICCION
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Una novela redonda sobre la huida del dolor como forma de supervivencia y la rebelión ante los roles de género contemporáneos. Es el verano de 2014. Una mujer joven que acaba de ser abandonada por su pareja huye de Barcelona a Madrid con un secreto y la convicción de que el apocalipsis se acerca. Cuatro siglos antes, otra mujer, Deborah Moody ?quien pasó a la historia como «la mujer más peligrosa del mundo»?, se ve obligada a emigrar a las colonias de América del Norte cargando a su vez con otro secreto, muy distinto. ¿Qué tienen en común estas dos mujeres? ¿Por qué han decidido alejarse de aquello que conocen y empezar de nuevo?Sus voces desgranan dos historias cruzadas sobre violencia e hipocresía, brujas y curanderas. Sobre Salem como posibilidad de un mundo nuevo en el que algo pueda fructificar, lejos de quien juzga y condena. Sobre Barcelona como un espacio hackeado, desalmado y roto por la gentrificación, al borde del colapso, en el que el enamoramiento es una enfermedad y nada puede salvarse. ¿O sí?Con una prosa deudora de Bret Easton Ellis y Mercè Rodoreda, no exenta de ironía, sarcasmo y misterio, Lucía Lijtmaer ha escrito una novela redonda sobre la huida del dolor como forma de supervivencia y la rebelión ante los roles de género contemporáneos. Asimismo, retrata la ciudad como un personaje más, orgulloso y abandonado, que mira a sus habitantes por encima del hombro y parece decir: sigo aquí, pese a todo, húndete conmigo. Frente a la autodestrucción, la autora propone una solución radical: quemarlo todo. Solo así todo cauterizará.