https://devlaravel.imosver.com/en/libros/amor-que-vence-a-gigantes-estudios-musicologicos-CIM0043441CIM0043441Amor que vence a gigantes: estudios musicológicos47.5La presente obra colectiva recoge una variedad de estudios en el ámbito de la Musicología, realizados por un destacado grupo de profesores e investigadores. Estos trabajos reflejan la diversidad temáthttps://static.arnoia.com/imagenes_small/9788433/978843387402.jpgLibrosLibros/BIOGRAFIASEn stockUNIVERSIDAD GRANADA000https://static.arnoia.com/imagenes_small/9788433/978843387402.jpg00107494950010749496001073073400107494945052.52024/11/019788433874023Vv.Aa.3Librosaño_2024idioma_SpanishCautor_Vv.Aa.3saga_Homenajes
Artículo
Amor que vence a gigantes
Vv.Aa.3
UNIVERSIDAD GRANADA
BIOGRAFIAS
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Synopsis Amor que vence a gigantes: estudios musicológicos
La presente obra colectiva recoge una variedad de estudios en el ámbito de la Musicología, realizados por un destacado grupo de profesores e investigadores. Estos trabajos reflejan la diversidad temática y la vitalidad de la investigación musicológica actual, siguiendo la amplia gama de intereses científicos que Antonio Martín Moreno ha desarrollado y continúa cultivando en su incansable y generosa carrera académica. Antonio Martín Moreno es una figura prominente en la Musicología y uno de los pioneros de su introducción en la universidad española. Durente muchos años, ha sido catedrático en la Universidad de Granada, donde ha impulsado decisivamente el estudio de esta disciplina, convirtiéndose en un referente tanto a nivel nacional como internacional. En el ámbito de la gestión universitaria, promovió la creación del Departamento de Historia y Ciencias de la Música de la UGR, único de estas características al sur de Madrid, desde el que se imparten las titulaciones de Grado, Máster y Doctorado. Este libro reúne treinta y siete contribuciones científicas, organizadas en seis bloques temáticos que reflejan las principales áreas de investigación del profesor Martín Moreno: "Patrimonio musical de Andalucia", "Teatro musical en España", "Música española de los siglos XVIII y XIX", "Pensamiento, estética e historiografía musical en España" y "Música y educación". Las contribuciones están precedidas por las "Semblanzas" y la "Introducción", que sirven de pórtico para su contextualización.