https://devlaravel.imosver.com/en/ebooks/culturas-del-cine-documental-E0002859619E0002859619CULTURAS DEL CINE DOCUMENTAL4.75Culturas del cine documental: de la España republicana a los años sesenta inaugura la colección “Paso de manivela” de Ediciones Universidad de Salamanca dedicada a los estudios cinematográficos. El lihttps://www.aglutinaeditores.com/media/resources/public/57/57d2/57d274aaf8cf40e592b50ea16b96c28f.jpgEbookEbook/ARTE, ARQUITECTURA, CINE Y FOTOGRAFIAEn stockUNIVERSIDAD DE SALAMANCA000https://www.aglutinaeditores.com/media/resources/public/57/57d2/57d274aaf8cf40e592b50ea16b96c28f.jpgCIM0042600550.252025/04/299788413119731MARÍA LUISA ORTEGA GÁLVEZEbookaño_2025autor_MARÍA LUISA ORTEGA GÁLVEZ
Artículo
CULTURAS DEL CINE DOCUMEN
MARÍA LUISA ORTEGA GÁLVEZ
UNIVERSIDAD DE SALAMANCA
ARTE, ARQUITECTURA, CINE
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Culturas del cine documental: de la España republicana a los años sesenta inaugura la colección “Paso de manivela” de Ediciones Universidad de Salamanca dedicada a los estudios cinematográficos. El libro ofrece un estudio comprehensivo y relacional del devenir de los discursos sobre el documental y las prácticas audiovisuales concomitantes a lo largo de cuatro décadas atravesadas por una historia convulsa. Aspira a iluminar hiatos determinados por la guerra civil o las transformaciones sociopolíticas en la década de los sesenta, pero también continuidades, a través del análisis de los debates de la crítica respecto al lugar del documental en la cinematografía del país y de los dispositivos formales (estéticos, narrativos y discursivos) que se modulan en el tiempo sobre motivos temáticos de largo aliento, al socaire de los cambios en los agentes de producción, distribución y circulación. Las perspectivas adoptadas en la investigación visibilizan cómo en ambos campos (discursos y prácticas) se lidió con los imaginarios sobre la tradición y la modernidad, con las tensiones y las contradicciones del (sub)desarrollo (económico, social y cultural) y el aflorar de los discursos identitarios y de contestación. Para la reconstrucción de este paisaje de las culturas documentales en España se han convocado voces y ecos desde el exilio y trazado otros hilos que conectaron el interior del país con el exterior durante la dictadura para enriquecer y ampliar los marcos interpretativos hasta ahora adoptados por la historiografía.